Red sports cars are for many people a symbol reserved only for alpha males, a symbol of masculinity expressed in color, shape and mobility. A woman in her sixties at a Ferrari is an unacceptable dissonance because they believe Ferrari, like everything red, fast and aggressive, is masculine.
Meanwhile, car bodies or the streamlined lines of a chopper are like women's bodies, which a tuning specialist, like a plastic surgeon, transforms, making "more perfect". A woman, succumbing to the pressure of the world mad about youth and vitality, manifested by the requirement of slender shapes and smooth skin, more and more often transforms herself, resembling the man's beloved machines. Another act of harnessing, dominating and objectifying a woman takes place in this way.
In the animal world, the morphological differences between the sexes are at first glance either slight, even imperceptible or, as with most birds, the males are more "kitschy" to attract the attention of females due to the multitude of colors and forms. The world of people has been the summary of all these ways of behaviour for centuries. The males fought for the females, built sumptuous gazebos and fluffed feathers, the females responded with kitschy makeup, rich clothes and, in accordance with the so-called cultural conditions, submission. Today, however, this order has been disturbed in this matter. On the one hand, it can be said that women took over the activity, imposing on themselves the role of attracting attention with their external appearance, even at a high price, as in the case of a peacock whose tail grew to such a size that it was impossible to take off.
On the other hand, contemporary sexual behaviour, shaped by the mass media and, not least, by the disgusting feminized dictators of fashion, began to impose on a man the obligation to prove his masculinity by gathering uniform in its gloss and color, similar to the Ferrari, gadgets. There was a dictate of a unified model of attractiveness, implemented not by nature but by the skilled hand of a plastic surgeon. Entering this circle of absurdity, joke about nature - nature led to a situation without exit: a woman who wants to become the object of the courtship of the most genetically attractive male must become one of the gadgets, a streamlined, chopper-shaped machine to satisfy male vanity
